Gender in Purple Hibiscus

Gender in the book

1.What does Papa Nnukwu say about the difference between the female mmuo and the male?

2.What does Papa Nnukwu promise Ifeoma his spirit will ask for her and what is her response?

3.Why does Beatrice say Eugene’s Umunna suggested he should get himself a second wife?

4.What reasons does Beatrice give to Ifeoma for why she cannot leave Eugene despite his abuse?

5.What phrase does Beatrice use to dismiss Ifeoma’s advice about  leaving Eugene?

 

Discussion Questions

1.What problematic gender roles and expectations does Adichie highlight in the Catholic church, in Papa Nnukwu’s traditional beliefs and in Nigerian culture? How does she challenge these?

2.What does Jaja view as idealized Nigerian masculinity and who does he feel embodies it? As readers, do we agree? What different versions of masculinity does Adichie portray and who embodies each of these versions? Which does she present as the most positive version of masculinity? Is there one that is perfect?

3.What different versions of femininity does Adichie portray and who embodies each of these versions? Whose version of femininity does Kambili follow at the start of the novel? What about at the end? Is Beatrice the anti-feminist character and Ifeoma the feminist ideal or is it more complex than that?

4.Many of the men die in the novel, leaving the women in the more powerful positions at the end of the novel – how is this an empowering image? How might it seem disempowering or misandrous?  What about Kambili’s vision of the Virgin Mary at Aoekpe? How could this be seen as a symbol of female empowerment?

Nigeria

Nigeria Ethnic Groups

 

 

For each of the following headings, anchor, quote, and cite two quotations

(from this section of the reading) that best reveal aspects of the daily life of the Achike family 

  1. Mama’s role in the house
  2. The relationship between Jaja and Kambili
  3. Jaja and Kambili’s education
  4. Papa’s control of the family

Introduction to Purple Hibiscus

https://prezi.com/rhtkuzpsrsci/purple-hibiscus/

 

  • What does Adichie mean when she says that having a single story is “dangerous”?
  • What single story do you think many people have about the continent of Africa? Why? What makes this “dangerous”?
  • How did the author convey her idea? Which technique did you find most effective or compelling? Why?
  • What is the message of Kipling’s poem? How do you know? How would Adichie react to this poem? How do you know?

Teacher Don’t Teach Me Nonsense

Teacher, teacher-o na the lecturer be your nameTeacher, teacher-o na the lecture be the sameMake-ee no teach-ee me again ohAs soon teaching finish yes, da thing-ee it gon die it dey-oAs soon teaching finish yes, da thing-ee it gon die it dey-oAs soon teaching finish yes, da thing-ee it gon die it
Me and you no dey for the same-u categoryMe and you no dey for the same-u categoryMe and you no dey for the same-u categoryMe and you no dey for the same-u category
Na the same category-oNa the same category-oNa the same category-o
Teacher, teacher-o na the lecturer be your nameTeacher, teacher-o na the lecture be the sameMake-ee no teach-ee me again ohAs soon teaching finish yes, da thing-ee it gon die it dey-oAs soon teaching finish yes, da thing-ee it gon die it dey-oAs soon teaching finish yes, da thing-ee it gon die it
Me and you no dey for the same-u categoryMe and you no dey for the same-u categoryMe and you no dey for the same-u categoryMe and you no dey for the same-u category
Na the same category-oNa the same category-oNa the same category-o
Let’s get down, to the underground spiritual gameWe all sing together, play music together in happinessAll you have to do is sing what I play on my hornNow let’s go down
La la la la la laLa la la la la la la laLa la la la la la la laLa la la la la la laLa la la la la la la laLa la la la la la laLa la la la la laLa la la la la la la laLa la la la la laLa la la la la la la laLa la la la la la la laLa la la la la la la
A kujuba, a kujuba (Ye-ehhh)A kujuba, a kujuba (Ye-ehhh)A kujuba, a kujuba (Ye-ehhh)A kujuba, a kujuba (Ye-ehhh)A kujuba, a kujuba (Ye-ehhh)A kujuba, a kujuba (Ye-ehhh)A kujuba, a kujuba (Ye-ehhh)Yehhhhhh-Ey!
Ke-re-Ke, Ke-re-Ke, Ke-re-Ke, Ke-re-Ke, Ke-re-ke, Ke-re-Ji-Ke-Ke (Yaa!)Ke-re-ke Ji Ke-ke (Yaa!)Ke Ji Ke-ke (Yaa!)Ke-re-ke-Ke Ji Ke-ke (Yaa!)Ke-re-ke Ji Ke-ke (Yaa!)Ke Ji Ke-ke (Yaa!)Ke-re-ke-Ke Ji Ke-ke (Yaa!)Ke-re-ke Ji Ke-ke (Yaa!)Ke Ji Ke-ke (Yaa!)Ke-re-ke-Ke Ji Ke-ke (Yaa!)Ke-re-ke Ji Ke-ke (Yaa!)Ke Ji Ke-ke (Yaa!)Ke-re-ke-Ke Ji Ke-ke (Yaa!)Ke-re-ke
All the wahala, all the problemsAll the things, all the things they go doFor this world go startWhen the teacher, schoolboy and schoolgirl jam togetherWho be teacher?I go let you knowWho be teacher?I go let you knowWho be teacher?I go let you know
When we be pikin(FATHA MAMA BE TEACHER)When we dey for school(TEACHER BE TEACHER)Now dey University(LECTURER BE TEACHER)When we start to work(GOVERNMENT BE TEACHER)Who be government teacher?(CU-ULTURE AND TRADITION)Who be government teacher?(CU-ULTURE AND TRADITION)Cu-ulture and tradition(CU-ULTURE AND TRADITION)Cu-ulture and tradition(CU-ULTURE AND TRADITION)
Now the problem side, of a teaching student-eeI go sing aboutI don pass pikin, I don pass school, university, se-fa passAs I don start to work, na government I must se-fa passDa go for France (Yes sir)Engi-land (Yes ma’am)Italy (Yes sir)Germany (Yes ma’am)Na dem culture (Yes sir)For der (Yes ma’am) be teacher (Yes sir)For dem (Yes ma’am) to go China (Yes sir)Russia (Yes ma’am)Korea (Yes sir)Viet Nam (Yes ma’am)Na dem culture (Yes sir)For der (Yes ma’am) be teacher (Yes sir)For dem (Yes ma’am) to go Syria (Yes sir)Jordan (Yes ma’am)Iran (Yes sir)Iraq (Yes ma’am)Na dem culture (Yes sir)For der (Yes ma’am) be teacher (Yes sir)For dem (Yes ma’am)
Let us face ourselves for AfrikaNa de matter of AfrikaThis part-ee of my songNa all the problems of this worldIn we dey carry, for Afrika
Wey no go ask-ee me (Which one?)Wey no go ask-ee me (Which one?)Wey no go ask-ee me (Which one?)Wey no go ask-ee me (Which one?)Problems of inflation (Which one?)Problems of corruption (Which one?)Of mismanagement (Which one?)Stealing by government (Which one?)Nothing we dey carry (Which one?)All over Afrika (Which one?)Na de latest one (Which one?)Na him dey make me laugh (Which one?)
Austeri (Austerity)Austeri (Austerity)Na him dey latest one (Austerity)Na him dey make me laugh (Austerity)Why I dey laugh? (Austerity)Man no fit cry? (Austerity)
Who be our teacher na Oyinbo?Who be our teacher na Oyinbo?A na false, the first electionAnd the second election held in NigeriaNa the second election na it was pass
Boba la nonsense (Boba la nonsense)Boba la nonsense (Boba la nonsense)He pass redeem (Boba la nonsense)He pass corruption (Boba la nonsense)Which kind election be dis? (Boba la nonsense)People na go vote (Boba la nonsense)Dem come get big big numbers (Boba la nonsense)Thousands to thousands (Boba la nonsense)Millions to billions (Boba la nonsense)Which kind election be dis? (Boba la nonsense)Boba la nonsense (Boba la nonsense)
Na dem-o-cr-azy be the dealNa dem-o-cr-azy be the dealWho don teach us ee dem-o-cr-azy?Bo-ptch! Oyinbo teach-ee usYuh-ngh! Oyinbo for Europe-ohOyinbo teach us many many things-eeMany of dem things I don sing about-eeMe I no gin copy Oyinbo styleLet us think say, Oyinbo no pass meWhen Shagari finish him electionsWey dem no tell am, say him make mistake-eeSay this yo, no be democracyOyinbo dem no tell army selfNa for England-ee, I me no fit take overI come think about this demo-crazy
Demo-crazy (Demo-crazy)Crazy demo (Demo-crazy)Demonstration of craze (Demo-crazy)Crazy demonstration (Demo-crazy)If it no be craze (Demo-crazy)Why for Afrika? (Demo-crazy)As time dey go (Demo-crazy)Things just dey bad (Demo-crazy)They bad more and more (Demo-crazy)Poor man dey cry (Demo-crazy)Rich man dey mess (Demo-crazy)Demo-crazy (Demo-crazy)Crazy demo (Demo-crazy)Demonstration of craze (Demo-crazy)Crazy demonstration (Demo-crazy)
If good-u teacher teach-ee somethingAnd student make mistakeTeacher must talk-ee soBut Oyinbo no talk-ee soI suffer dem, Dey suffer demDem dey say da teaching get meaningDifferent different meaningDifferent different kinds of meaningThat is why I sayThat is the reason of my songThat is the concludeThe conclud-ee of my songI say, I sing, I beg everyone to join my songI say, I sing, I beg everyone to join my songI say, I sing, I beg everyone to join my song
Teacher, teacher-o na the lecturer be your nameTeacher, teacher-o na the lecture be the sameMake-ee no teach-ee me again ohAs soon teaching finish yes, da thing-ee it gon die it dey-oAs soon teaching finish yes, da thing-ee it gon die it dey-oAs soon teaching finish yes, da thing-ee it gon die
Me and you no dey for the same-u categoryMe and you no dey for the same-u categoryMe and you no dey for the same-u categoryMe and you no dey for the same-u categoryNa the same category-o (Category)Na the same category-o (Category)Na the same category-o (Category)Na the same category-o (Category)Na the same category-o (Category)Na the same category-o (Not the same category)Na the same category-o (Not the same category)Na the same category-o (Not the same category)Na the same category-o (Not the same category)Na the same category-o (Not the same category)Na the same category-o (Not the same category)Na the same category-o (Not the same category)Na the same category-o (Not the same category)Na the same category-o (Not the same category)Na the same category-oNa the same category-oNa the same category-oNa the same category-ooo
Ke-re-Ke, Ke-re-Ke, Ke-re-Ke, Ke-re-Ke, Ke-re-ke, Ke-re-Ji-Ke-Ke (Yaa!)Ke-re-ke Ji Ke-ke (Yaa!)Ke Ji Ke-ke (Yaa!)Ke-re-ke-Ke Ji Ke-ke (Yaa!)Ke-re-ke Ji Ke-ke (Yaa!)Ke Ji Ke-ke (Yaa!)Ke-re-ke-Ke Ji Ke-ke (Yaa!)Ke-re-ke Ji Ke-ke (Yaa!)Ke Ji Ke-ke (Yaa!)Ke-re-ke-Ke Ji Ke-ke (Yaa!)Ke-re-ke Ji Ke-ke (Yaa!)Ke Ji Ke-ke (Yaa!)Ke-re-ke-Ke Ji Ke-ke (Yaaaa!)
Teacher, teacher-o na the lecturer be your nameTeacher, teacher-o na the lecture be the sameMake-ee no teach-ee me again ohAs soon teaching finish yes, da thing-ee it gon die it dey-oAs soon teaching finish yes, da thing-ee it gon die it dey-oAs soon teaching finish yes, da thing-ee it gon die it
Me and you no dey for the same-u categoryMe and you no dey for the same-u categoryMe and you no dey for the same-u categoryMe and you no dey for the same-u category
Na the same category-oNa the same category-oNa the same category-oNa the same category-ooo

2022-2023: Syllabus and Course Introduction

LITERATURE SYLLABUS 2023

 

SAINT-DENIS INTERNATIONAL SCHOOL

 

BACCALAURÉAT FRANÇAIS, OPTION INTERNATIONALE (OIB) AMÉRICAINE

SYLLABUS FOR THE LANGUAGE/LITERATURE EXAMINATION

 

_____________________________________________________________________________

 

A total of ten texts will be studied for the examination reflecting diversity in ethnic background and gender.  Six texts (core) will be studied in common by all candidates.  The remaining texts will be chosen freely by individual sections/schools.  The Tempest will be the in-depth (oral) text studied in common by all schools.  The remaining two in-depth texts will be chosen freely by each section/school from the novel and poetry category.

 

The following are the texts:

 

  1. One Shakespeare play: The Tempest  ** (CORE)  (specify edition)
  2. Two 19th-/20th-/21st-century English-language works of prose fiction:
  3. a) The Handmaid’s Tale by Margaret Atwood  (CORE; American)**
  4. b) The Picture of Dorian Gray by Oscar Wilde
  5. Two English-language playwrights:

a.) Intimate Apparel by Lynn Nottage (CORE; American)

b.) Sweet Bird of Youth by Tennessee Williams 

 

  1. Two English-language poets:

                                          a.) Core Poetry: A selection of 8 poems (CORE; American) : 

Adriene Rich

Twenty-One Love poems: III, VII, XVII

 Snapshots of a Daughter-in-law: 1 

Emily Dickinson

Hope is the thing with feathers

I felt a funeral in my brain

I’m wife

After great pain, a formal feeling comes

      b.) A selection of 8 poems by Robert Frost (specify titles)**:                 An Unstamped Letter, Birches, Reluctance, Stopping by Woods, The Road Not Taken, The Tuft of Flowers, The Wood Pile, To Earthward 

  1. Two Works of World Literature (which may be in translation):
  1. Things Fall Apart by Chinua Achebe (CORE
  2. Love in the Time of Cholera by Gabriel García Márquez  

 

  1. One English-language non-fiction work:

a)Between the World and Me by Ta-Nehisi Coates

 

updated November 2018 ** works in-depth (for oral examination)

 

A BRIEF EXPLANATION

 

The literature syllabus includes 10 works of literature, written in English or translated into English, in the American tradition of teaching American English and World Literature. 

 

Candidates’ knowledge of this syllabus is assessed by a 4-hour written examination comprising essay topics as well as a prose passage and a poem on which the candidate may choose to write a commentary. 

 

In addition, there is a 30-minute oral examination consisting of an oral commentary on taken from one of the three in-depth works, followed by a general discussion between the candidate and the

examiner of the remaining works.

 

You will be graded on the following skills:

 

U Your understanding of the text/ideas on the text and your ability to have deep and 

original thoughts and interpretations.

S Your ability to explore texts to identify and appreciate style / literary features and show how they contribute to a deeper meaning.

L Your knowledge of the syllabus works as a whole and your ability to make thematic and stylistic links and connections across texts.

A The ability to use well-chosen evidence to argue and prove your interpretations with clarity, coherence, fluidity through a persuasive structure (both orally and in writing).

F Your ability to speak and write clearly using fluency and sophistication.

 

Examples from the written examination:

 

  1. How far and in what ways do the endings of two works you have studied offer a sense of closure? Refer to two works on your OIB syllabus.
  2. Discuss how two writers on your OIB program use climactic moments to emphasize key ideas in

their works.

3.Characters in literature are sometimes presented as unable to accommodate themselves to changes,

either in themselves, in their family, or in their societies.  Explore how two or three authors deal with

this subject. (NOTE :  ONLY TWO WORKS SHOULD BE USED.)

  1. Have tragedies you have read presented a glimmer of hope ?  Discuss in terms of two tragedies.
  2. Justice, whether human or divine, is often a subject treated by authors.  Discuss in terms of two

works you have read.

6.Most literary works show evolution in a character due to various causes.   How do two writers you

have studied deal with the theme of transformation ?

  1. Often the point of view of the narrator casts its own perspective upon the events in a work of

literature. Discuss how the literary device of point of view influences the reader in two works you have studied in the OIB program.

  1. Works of literature can be a protest against the injustice done to women in patriarchal societies. Discuss, referring to two works you have studied.

 

Deroulement of the Oral Examination

 

Candidates are given a passage by the examiner of not more than 40 lines from one of their three works in depth:  The Tempest, The Handmaid’s Tale or Robert Frost poems. 

     This passage is prepared in a room with other students where ID cards and convocations are checked.  No personal notes, cell phones or dictionaries are available. The student prepares the first half of the oral, situating the passage in the work as a whole, analyzing it thematically and stylistically and linking it to two other works on the syllabus.

     After 30 minutes the examiner takes the candidate to the exam room where the student is invited to read a part of the passage and to speak for at least 10 minutes uninterrupted.  If the student encounters difficulties of any sort, the examiner will help out with questions.  After 10 minutes of commentary, the candidate should move on to making stylistic and thematic links with two other works on the syllabus. 

       In the second half of the oral, the examiner asks questions about other works on the syllabus, often following the lead given by the student. All three works in depth must be touched on and ideally another 3 to 5 works. Since this is a literature exam, students are awarded extra points if they spontaneously speak about style without prompting from the examiner.

Letter To Self Assignment Sheet